Judith Rubin: You were on the team that built the gigantic, animatronic owl for
the Electric Daisy Carnival, a 3-day music festival held recently in Las
Vegas. This was a high-profile success and images of the owl have been
all over the media. Tell us about it.
Ron Griffin: We were approached by Gary Goddard’s entertainment and design
company, The Goddard Group, for Insomniac Events to build a
35-foot-tall, 80-foot-wingspan, animated owl for the event, which would
see an attendance of over 300,000 over three days.
The creativity of the owl concept and the plan for its use as a key
element in the festival were fantastic. The bad news: We would have only
six weeks to design (mechanically and electrically), build, test, ship,
and install him. We were cautious at first about taking this job – but
it was the kind of big challenge that we love to solve. Working with
Goddard and Insomniac, we were able to form a plan that we felt would
succeed even in the short timeframe allowed.
Six weeks! Our approach had to be simple, yet provide the desired
look and animation. It had to use components that we could get quickly
and that we knew would work.
Click here to read the complete interview.
Chronicling the international attractions industry (parks, museums, casinos, expos, live spectaculars, 4D theaters, performing arts centers, retail, etc.) in terms of design, technology, media, development, safety and more. By Judith Rubin, top editor, publicist and consultant in themed entertainment. I also write occasionally about topics of St Louis.
23 August 2013
06 June 2013
David Bowie is opens at the V&A and Sennheiser audio is the co-star
David Bowie is, co-curated by Geoffrey Marsh and Victoria Broackes,
opened to the public on March 23, 2013 at the V&A Museum in London.
In a blend of attraction design, exhibition design and theater, David
Bowie is presents two galleries of memorabilia and costumes from Bowie's
substantial personal archives. A Bowie exhibit would neither be
complete nor satisfying without music, and state-of-the-art audio
technology is integral to the presentation. Most of the displays,
videotaped performances and interviews are coupled with zone-specific
audio delivered via personal headsets. The headsets come off for a
climactic, immersive concert experience in the second gallery. Sound
experience by Sennheiser - the TEA member company provided its guidePORT
and Auro 3D systems, plus support services.
The 300+ objects on display include Ziggy Stardust bodysuits, set designs created for the Diamond Dogs tour, storyboards, handwritten set lists and lyrics and some of Bowie’s own sketches. Visitors may want to keep an eye out for Brian Eno's “Heroes” synthesizer in the concert area - an artifact Marsh called our attention to. Our own favorite stop was the kaleidoscopic video presentation of “Star Man” - Bowie's breakthrough, 1972 Top of the Pops performance. All in all, the exhibit contains some 4 hours' worth of material, which the average visitor will spend about 90 minutes browsing. David Bowie is will finish its V&A run August 11 and then head to half a dozen additional venues around the world, starting with Sao Paolo.... Click here to read the full article in the May 2013 Lighting&Sound International magazine.
The 300+ objects on display include Ziggy Stardust bodysuits, set designs created for the Diamond Dogs tour, storyboards, handwritten set lists and lyrics and some of Bowie’s own sketches. Visitors may want to keep an eye out for Brian Eno's “Heroes” synthesizer in the concert area - an artifact Marsh called our attention to. Our own favorite stop was the kaleidoscopic video presentation of “Star Man” - Bowie's breakthrough, 1972 Top of the Pops performance. All in all, the exhibit contains some 4 hours' worth of material, which the average visitor will spend about 90 minutes browsing. David Bowie is will finish its V&A run August 11 and then head to half a dozen additional venues around the world, starting with Sao Paolo.... Click here to read the full article in the May 2013 Lighting&Sound International magazine.
22 April 2013
From the Archives: Judith Rubin's articles on LiveDesignOnline
Articles from 1999-2001 during the period I was "Themed Entertainment Editor" for Entertainment Design magazine, now known as LiveDesignOnline. At the time, I worked with editor David Johnson, who is now the publisher. Some of the projects covered here are now gone entirely and others greatly changed, but it's interesting to see the forerunners of trends and technologies that are fairly common in projects today, and the names of familiar companies and people. -- J.R.
- Bob Rogers profile/interview, Nov 2000
- Case study of Pacific Bell Park (now Candlestick Park/3Com Park) in San Francisco, Sept 2000
- Titanic - The Experience (Fox Studios Australia, Sydney), April 2000
- Texas Spirit Theater at Bob Bullock's Texas State History Museum, Oct 2001
- Expansion of the Berkeley Repertory Theater, Sept 2001
- Texas Wild! at the Fort Worth Zoo, Oct 2001
- Volkswagen AutoStadt, April 2001
- Two giant-screen films showcasing famous stage acts: Siegfried & Roy, and Cirque du Soleil
- Opening of Legoland in Carlsbad, Aug 1999
- Experience Music Project (EMP) in Seattle, Nov 2000
- Sony Metreon in San Francisco, Oct 1999
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